Once upon a time, dinosaurs walked the earth, or so evidence concludes. The same can be said of the literary world. The salient days of Hemmingway, Mailer and Kerouac are behind us now. Back before genre classification, these artists walked the earth, trembling the earth with mighty footfalls.
I remember my introduction to Norman Mailer. It was a rainy day outside and I was feeling gloomy and bored. I wanted to read something outside my usual scope of enjoyment. Horror can be fun, but a full plate of it all the time makes the taste buds grow uninspired. I wanted something dark and gritty. I dumped boxes of books onto my bed (I was always collecting large quantities of books from yard sales and such) and read the back covers of maybe forty books. I stopped when I read this:
Tough Guys Don’t Dance is the story of Tim Madden, an unsuccessful writer addicted to bourbon, cigarettes, and blonde, careless women with money. On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat.
Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence—physical, sexual, and emotional—but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream—ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den’s father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics.
That was just what the day called for. I settled in for a few hours of reading and before I knew it the day, night and most of the next day were lost to this amazing novel. The book held me hostage and I loved every moment of it. Yes, Mailer could be brutish in his prose and yet you couldn’t deny the confidence with which he wrote. His violence was poetic and his understanding of the sleepy off-season tourist town was uncanny. All the characters glowed with their dim brilliance and in the end, you knew you’d been on a ride.
Still, Mailer wasn’t just a mystery writer or indeed, even a full-time fiction writer. Mailer wrote whatever the hell he felt like writing, garnering two Pulitzer Prizes along the way. He could no more be placed into a solitary genre than Robert Anton Wilson. Mailer died (he passed this last weekend of renal failure) attempting to find the elusive “Great American Novel” and though critics and readers alike argued that he never did, I feel differently. I think Tough Guys Don’t Dance is just as American as apple pie and baseball and Old Glory herself. Only in America could the characters of this novel exist. And great? Hell yeah. A blistering snapshot of life in the late 70s, complete with addictions, murder, jealousy, wife-swapping and corruption. Life was ambiguous back in those days as we clung to the glamour afforded us by the 60s and saw the awareness on the horizon in the 80s. Tough Guys Don’t Dance IS the “Great American Novel” and Norman Mailer was our “Great American Novelist”.
And where is our lifestyle to suit these dinosaurs? Mailer traveled the world, writing in the cafes of France or smoking a joint in some outdoor bar in Mexico. If I went to France I’d feel as though I didn’t belong. If I smoked pot in a Mexican bar, I’d find myself doing twenty years in a Mexican prison. Today we’re afraid to not be classified as a genre writer. If I write something other than horror, I get reader attrition. But there’s more in me than that, hence pseudonyms. A fan wants to know when they shell out the ridiculous price of books these days that they get just what they’re expecting. Norman Mailer was married six times, myself only twice (though I think I’ll stop here). Mailer stabbed one of his wives with a penknife. I threw a plastic water bottle at the wall.
Of course these things weren’t all good nor good for you. I get up every morning and trudge up to our spare bedroom for time on the treadmill or an hour of weight lifting. I eat six small well-balanced meals (a portion of protein, carb and vegetable) a day. I wouldn’t travel outside of America’s borders these days and I’m managing a stock portfolio. And I find myself wondering, in these enlightened times are we missing what made these dinosaurs great?
So, I raise my coffee through a haze of cigarette smoke and I give a nod to a great American novelist. May I be half as respected and remembered as you, great sir. Thank you for that rainy day and for teaching me that writing is more than words on a page. It is heart and guts. Godspeed.